artist
About
The
Artist
History
Khandu Wangchuk Bhutia (lama) was born in the small rural village of Sakyong, Gyalshing in West Sikkim, India. He was born to parents, Late Jigmee Wangchuk Lama and Late Chunni Dolkar Bhutia in the year 1959. His father was revered artist, a spiritual master and a monk in the sacred Pemayangtse Monastery. During the mid to late 1960s, his father was tasked by the Chogyal of Sikkim, His royal highness Shri Palden Thendup Namgyal along with the requests from the Udor Chesum of the Pemayangtse Monastery, the monks and the public of Sikkim, mainly the west Sikkim, to construct a wooden structure in Pemayangtse Monastery depicting the realm of Heaven and Guru Padmasambhava's palace ( Sangdolpalri ). The wooden structure stills stands tall (17 ft) in Pemayangtse Monastery. It was during this time that Khandu Wangchuk Bhutia, developed an interest of the Buddhist arts. His father noticing the keen son, decided to send him to a well known Thangka Artist in Kalimpong called Shri Phuntsok Sangpo .His teacher was a Thangka Master of the old Tsangri style and was well received by high personalities during his time. Shri Phuntsok Sangpo specialised in the Terser traditions. Shri Phuntsok Sangpo had close relations with great Nyingma Masters, like H.H. The Dalai Lama and H.H. The Kyabje Dudjom Rimpoche.
SangdolpalriSangdolpalri
poplaandmomolaKhandu Wangchuk's Parents
What is Thangka Art and the problem it faces today?
Thangka art is an ancient form of scroll painting originated in Tibet. It consists of the painting and the brocade. Thangkas are usually made to visualise buddhist scriptures. This visualisation helps in various dharma practices and meditations. One crucial aspect of thangka is that it should be as accurate as mentioned in the scriptures, any inconsistency will hamper in a practitioner's growth in the dharma practice and meditations. A problem that plagues the modern society of buddhism is the availability of a correct visualisation of Thangka figures. There is an abundance of thangkas that is a copy of a copy which is commercialised to meet the demands. So to be a master artist in Thangka one must also have good knowledge of reading and deciphering buddhist scriptures wich takes more than 6 years to complete and couple more years to master and more years to develop specialisations and so on.
Khandu Wangchuk education and contributions
Khandu Wangchuk is an ordained monk of Pemayangtse Monastery, where he studied scriptures at a young age. He was also schooled in formal education in Senior Secondary School, Pelling but only till grade 6. Khandu Wangchuk completely his studies of the Thangka Arts under Shri Phunstok Sangpo and was a master by the age of 21. He also briefly trained under another artist called Shri Zapa Acho, who was a master artist of Tsangri style but of a slightly different variation. Khandu Wangchuk Bhutia was also specialised in the Terser traditions at the early ages. His terser Thangkas are donned in various Dharma centers of H.H. the Kyabje Dudjom Rimpoche around the world. He is well known for his thangka called the Terser Chokshing (Terser Refuge tree) which is an important Thangka for Terser practitioner.
TerserChokshingTerser Chokshing
New York Dharma CentreNew York Dharma Centre
He later on developed his own style (derivative of the Tsangri Style), and also started to expand into other specialisations like the Payul traditions and other various traditions. He has made countless thangkas over the years. He has also been advocating for the protecting the traditional way of thangka painting as he notices mistakes in the modern thangkas which is a result of over copying and not understanding scriptures. He started a training center in Namchi called the Khanchendzonga Handicraft center in 1980 where he taught young individuals from all aspects of life, the art of Thangka paintings.
VisitbytheGovernorofSikkimtoKhanchendzongaHandicraftCenterVisit by the Governor of Sikkim to Khanchendzonga Handicraft Center
Some were of middle class while most were of low income families from Sikkim and the neighbouring regions. He provided free lodging and fooding and taught them completely out of his own pocket. He continues it to this day, although the alias Khanchendzonga Handicraft Center was stopped around 2012 he teaches them as proteges. He has also taught many student under various government schemes like the Guru Shishya Parampara, but thoses were of maximum 6 months, and the students were taught mostly fundamentals. But those students have utilised the skills gain for various of their own projects. He lived a measly life spending most of his income on providing a reliable environment to nurture the growth of thangka artists. Over the years he has taught well over 350 student who are all established artists around the world. One notable student of his is Yeshey Zangpo Bhutia who is now the successor of the thangka style, lived as protege under Khandu Wangchuk for a good 16 years absorbing everything that he could making him a Thangka Master of his own right. Yeshey Zangpo started on his own as a Thangka Master in 2006 and went on to recieve the National Award in 2008 by the Ministry of Textiles. Khandu Wangchuk is also a Master Artist of Debri Painting ( Thangka paintings but on monastery walls) and has painted in various monasteries. He has also taken part in various exhibitions, spreading the influence of Thangka Painting.
Notable monasteries are:
  1. 1. Gnadak Monastery, Namchi
  2. 2. Pemayangtse Monastery, Pelling
  3. 3. Allay Monastery, Ravangla
  4. 4. Boomtar Monastery, Namchi
  5. 5. Tashi Choling Monastery, Ladakh
  6. 6. Tashi Choling Monastery, Khechuperi
  7. 7. Manang Monastery, Manang, Nepal
  8. 8. Ghurpisay Kangso Lhagang, Namchi
  9. 9. Marble Chorten stupa, Swayambhu, Nepal
  10. 10. Various other Chortens in Swayambhu, Nepal
  11. 11. Tinchulae Monastery, Tinchulae, Nepal
  12. 12. Khechuperi Old Monastery, Khechuperi
  13. 13. Tushal Monastery, Boudha, Nepal
Accolades
  1. 1981. National Award, presented by the President of India Dr. Neelam Sanjiva Reddy, awarded by the Ministry of Textiles
    Receiving the National Award
  2. 2006. Kala Nidhi, awarded at the Surajkand Mela
    Receiving the Kala Nidhi
  3. 2022. Padmashree, presented by the President of India Shri Ram Nath Kovind, awarded by the Ministry of Home Affairs
    Receiving the PadmaShree
  4. 2022. Kala Ratna, presented by the Vice President of India Shri Venkaiah Naidu, awarded by the Panjab University
    Receiving the Kala Ratna
Contactkhanduwangchuk@ymail.comtashiwoiserbhutia@yahoo.inInstagram - @khanduwangchukbhutia+91-9609869172 /+91-7583970402